#French montana album 2012 tracklist serial#
#French montana album 2012 tracklist tv#

Also saying that the album would be the 'album of the decade'. In another January 2013 interview with Rap-Up he announced he had a song with Wiz Khalifa and Snoop Dogg on the album and that producers on the album would include Young Chop, Harry Fraud and Rico Love. The album cover was released on January 29, 2013.

#French montana album 2012 tracklist tv#

In addition, on January 26, 2013, he revealed in an interview with Rap-Up TV that he had also worked with Kanye West on the album. Montana also stated that he had a song with R&B singer The Weeknd, entitled 'Gifted'.

The album debuted at number four on the US Billboard 200, selling 56,000 copies in its first week.įrench Montana revealed in a September 2012 interview with RapFix Live that he has worked with several fellow recording artists on the album, including Diddy, Nicki Minaj, Drake, Rick Ross, Lil Wayne, Wiz Khalifa, 2 Chainz, Wale, Max B, Lana Del Rey, M.I.A., and Scarface. The album was supported by three singles: ' Pop That', ' Freaks' and ' Ain't Worried About Nothin''.Įxcuse My French garnered mixed to negative reviews from critics, finding criticism in Montana's technical delivery and the formulaic production throughout the record. The album features guest appearances from Diddy, Nicki Minaj, Drake, Ace Hood, Lil Wayne, Birdman, The Weeknd, Rick Ross, 2 Chainz, Max B, Ne-Yo, Machine Gun Kelly, Raekwon, Scarface and Snoop Dogg, while the production was handled by Mike Will Made It, Jahlil Beats, Reefa, Rico Love, Lex Luger and Young Chop. It was released on May 21, 2013, by Coke Boys Records, Bad Boy Records, Maybach Music Group and Interscope Records. But it’s perplexing that a project this market-tested came out so flimsy.Excuse My French is the debut studio album by Moroccan-American rapper French Montana. As a grab-bag of singles made for Hornblower cruises and thirty-second timeouts at Madison Square Garden, MONTANA is effectively too big to fail.

#French montana album 2012 tracklist serial#

“Hoop” sounds like a Quavo throwaway, and the Blueface and Lil Tjay feature “Slide” only perks up when the beat is briefly switched out for the “ Serial Killa” instrumental halfway through.įrench can be enigmatic, in that his strengths and shortcomings tend to blur together: He’s a citizen-of-the-world dabbler at best, at worst an uninspired cover artist. “No Shopping” and “Lockjaw,” both singles from 2016’s MC4, reappear on MONTANA, as does the Drake duet “No Stylist” from mid-2018. “Writing on the Wall,” a delectable serving of Hot 97 kibble, stands tall among Montana’s considerable singles catalog, with a Cardi B verse that ends with her “Rollin’ down the freeway, talkin’ ‘bout a three-way/Started workin’ out but he gon’ eat me on his cheat day.” The Swae Lee-featuring “Out of Your Mind” aims to recapture the magic of “ Unforgettable” and gets most of the way there, whereas “Wiggle It” conscripts City Girls for a tried-and-true barnburner.ĭespite the second disc’s upbeat highlights, it’s clear the well runs dry before the album’s over. It’s star-studded, dancefloor-ready, vaguely Caribbean. The eponymous opener finds him “masturbatin’ on a scale for a hundred million, asking God how we made it” he’s “militant like the Middle East” and “Big like the kid from Bed-Stuy.” There’s a lot of empty space in his bars.ĭisc 2 is the big-tent attraction, picking up where 2017’s Jungle Rules, a trap-lite affair headlined by various Migos and Sremmurds, left off. This can hardly be said of MONTANA, in which wealth’s depiction is surface-deep and kneecapped by French’s autopilot punchlines. “That Way,” a reimagining of Das EFX’s “ Looseys,” neither reinterprets nor builds upon the 1992 original, and French stumbles over Cool & Dre’s stuttering beat on the listless “What It Look Like.”Īlthough Montana has a habit of sounding like a guest on his own tracks (you’ll be forgiven for failing to notice that he even clocks in between Kevin Gates and Kodak Black on “Lifestyle”), his better mixtapes feature moments in which opulence is less a taunt than an honest tribute to peers who never got to enjoy it. The title track’s smoky chords and weeping guitar build to one of his signature second-verse beat switches, but lacking a bright narrator like fellow Fraud clients Curren$y and Action Bronson, the unwaveringly lethargic tempo makes a slog of MONTANA’s front nine. Whatever the joke is, Fraud’s always in on it, and his expansive productions comprise a self-referential universe reminiscent of a Tarantino flick. Montana’s longtime producer Harry Fraud, an acolyte of melodramatic ’80s rock and contemporary foreign pop, helms Disc One. It’s possible that no one was exactly clamoring for a French Montana double album in 2019, even if, at 67 minutes, MONTANA’s two-disc packaging is simply a stylistic choice.